November 14, 2020 by katie
If you could take only one memory with you into eternity, which would it be?
One day creative retreat
Sat 28th November 2020 | 10 am- 5:30 pm
Online, from your own home
Let us guide you through a creative process of discovery, exploration, and celebration of your own amazing autobiographical memories.
A carefully curated programme of self-guided creative activities,
With 3 short live group zoom sessions at the start, middle & end of the day to share & reflect, lead by our team.
To register for a free place sign up at
Afterlife is a participatory project in development from The Other Way Works.
Supported using public funding by the National Lottery through Arts Council England, with Derby Theatre/University of Derby, and BOM (Birmingham Open Media).
November 30, 2018 by katie
Touring in 2019
Birmingham 3-6 May 2019
World Premiere in association with Birmingham Repertory Theatre and Flatpack Festival.
SOLD OUT Flatpack Festival.
Friday 17 – Saturday 18 May
Watermans Arts Centre, Brentford
Tickets: £40 per car
Friday 2 – Sunday 4 August
Stockton International Riverside Festival, Stockton-on-Tees
Tickets to be released later in 2019
Friday 25 – Saturday 26 October
Tickets £40 per car (up to 4 people)
Frequency Festival Tickets Available
November 30, 2017 by katie
The prototype phase of A Moment of Madness (2016-17) was funded by Arts Council England, and supported by Birmingham Open Media (BOM).
Director: Katie Day
Developer/Game Designer: John Sear
Writer: Tim Wright
Performers: Zain Ellahi (live), Jill Dowse, Tim Wright, Graeme Rose, Vimal Korpal, Greg Hobbs, Louise Latter (recorded)
November 16, 2015 by katie
Here is the text of the talk (minus the live asides of course, which made it a bit less dry!):
“I’m going to leave it actually.
Yes, its a great idea.
Yes, it seems there would be a market for it. The Funeral industry would be the most obvious place to start.
Yes, no-ones doing it yet, well they’ve started trying in a way, but their attempts are pretty poor quality, most people would agree with that.
Yes, I think there would be quite a lot of avenues to pursue in terms of start-up support and finance.
So, yes, I thought of it, I looked into the feasibility of it, I’ve got ideas about how it could work, what it could look like, who the partners and customers might be. I’ve even worked with people to explore exactly how we could produce it.
But I’m going to leave it there. I’m not going to take it forward.
These aren’t words I use a lot.
In fact, it took me a while to make the decision.
At first it definitely felt like a failure.
But now I know it was the best decision.
A positive exit from the project.
Better to say a considered no, than struggle on with something against your better judgement out of some kind of misplaced sense of duty, until it grinds to a bitter and messy halt. (a bit of melodrama there… did I mention I’m a theatre maker…)
In the Spring of 2014, with REACT Feasibility funding, I undertook research into the feasibility of building a software engine that automatically creates a video life story from an individual’s social media content. The project was called Protagonist.
Protagonist was an attempt to make sense of our vast stashes of personal data online in a human, emotional, narrative way. Using their own social media content, we wanted to create a short film memoir of an individual – with the output feeling meaningful and personalised. And we wanted to see if we could create this using an automated process.
Our ambition was that the Protagonist service would be a commercial, stand-alone, direct-to-consumer product.
I found that the construction of narrative from online data poses an extremely complex computing problem. Who knew?! Well I didn’t. As someone from an arts background its sometimes tricky to guess which seemingly impossible problems can be solved relatively simply by technology (or already have been) and which are actually basically impossible.
This particular area of algorithmically generated video is only just starting to be explored (with very limited success) by digital giants such as Google and Facebook.
So here’s why I’m saying no to this idea:
It would be very difficult to compete in this marketplace currently, if Google & Facebook with all their resources are struggling to make anything worth watching;
I’m a theatre maker, not a software engineer;
Life is short: I don’t want to spend at least the next 3 years setting up a software start-up, that won’t use my skills well;
I’ve got other ideas for other projects I want to make, so I’m going to use my skills and energy where they’ll be making the most impact, and get on with making those.
You can see what we’re up to at www.theotherwayworks.co.uk
I’m Katie Day, and I’m Artistic Director of The Other Way Works.
We’re a Birmingham-based theatre company making playful theatre that immerses our audiences in the story.”
November 22, 2013 by katie
“it’s a beautiful way of finding new ways to read these historic spaces through digital technology.”
November 28, 2011 by katie
The Other Way Works is currently recruiting Non-Executive (voluntary) Directors to join its Board of Directors.
This is a great opportunity for your skills and experience to make a real difference to the development of an energetic and distinctive not-for-profit arts organisation. We’re looking for people with a passion for theatre, the arts, and innovation, who will help steer, support and advocate for the company.
November 2, 2011 by katie
Katie will be popping up at a couple of different events in the next few weeks.
We’ve been selected to present our Bandstand project as part of the Ideas Summit at the ISAN Biennial Conference in Glasgow on 16th November. Its a chance to let national outdoor programmers know about our plans for the project, and opportunities for them to get involved in co-commissioning new content for the platform.
She’ll also be at the Hello Culture Conference in Birmingham on 17th November on the Mobile, Location and Games panel. The one day event will explore how the cultural sector can exploit digital technology.
November 19, 2009 by katie
Tickets can be reserved for the London show by emailing firstname.lastname@example.org
In the meantime, please add any personal stories or memories about Avon Cosmetics to our website avonandme.co.uk … ding dong! Avon Calling!
November 15, 2008 by katie
Black Tonic continues in Manchester until Sunday 30th November. We are totally SOLD OUT, but if you’re prepared to hang around in the hotel lobby at 7, 8 or 9pm, let us know you’re waiting and we might be able to squeeze you in if there’s a no-show….
Tickets through Contact Theatre
Sponsored by The Place Hotel, Manchester